The labyrinthine installation is part of an ongoing series. The artist photographs the work in its exhibition setting, digitally edits this image, and then incorporates the printout as part of his next installation. The walls constructed here in Kiasma will thus become part of his next installations in a never-ending cycle of images.
Artie Vierkant’s focus of interest is on encounters betweenimmaterialdigital objects and the tangible, physical world. He incorporates manipulated image files as part of a wall which in turn reassembles the shape of the exhibition space.